Ernest Dowson

Ernest Christopher Dowson (2 August 1867 – 23 February 1900) was an English / British poet, novelist, and short-story writer who is often associated with the Decadent movement, alongside writers such as Oscar Wilde. Dowson was a lover of young girls, and expressed his deep feelings for them in several of his poems, notably those from his three collections Poésie Schublade, Verses, and Decorations. More insight can be gained from his correspondence, namely The Letters of Ernest Dowson (1967) and New Letters from Ernest Dowson (1984). These sources are used throughout this page, as well as quotes from Agapeta, and often include French phrases as Dowson spoke the language fluently.

In 1889, Dowson became infatuated with an 11-year-old female, Adelaide "Missie" Foltinowicz, the daughter of a Polish restaurant-owner. In 1893, he proposed to Foltinowicz, who was then aged 15, but was rejected. She later married a tailor, Augustus Noelte, in 1897. The love / infatuation Dowson felt inspired him to write poetry, some lines of which he is now best known for. Dowson lived an active social life but often lived in poverty, eventually suffering the death of his father from tuberculosis, and subsequent suicide of his mother after contracting the same disease. Dowson's life was marked by ecstasy and despair and, after returning to London to live with the Foltinowicz family in 1897, he was found virtually penniless by writer and Wilde biographer Robert Sherard in 1899. Sherard took him to live at his cottage, where Dowson spent the last 6 weeks of his life, dying at the age of 32.

Before he met Adelaide: Downson and Minnie Terry

Dowson had sex with post-pubescent females (most likely prostitutes), but preferred the company of pre-pubescent / little girls. Before he met Adelaide Foltinowicz, Dowson was a devoted fan of the child actress Minnie Terry, then aged 7 (she was born on January 1, 1882). Dowson watched all plays in which she acted, collected her photographs and various souvenirs about her. He nicknamed her “Mignon” (for her role in the play Bootle’s Baby), “la petite” or “la chère petite”.

Dowson wrote in The Critic, dated 25 May 1889, a review of the play A White Lie, praising her perfection and spontaneity in her role as Daisy Desmond, even saying that at a critical moment she saved the play from the false note of an adult actor. A famous contemporary of Dowson, Charles Lutwidge Dodgson (Lewis Carroll) - also an avid theater-goer - did not share his enthusiasm for Minnie Terry. Dowson wrote in The Critic of 17 August 1889, an article entitled “The Cult of the Child”, stating that children under 10 have by nature superior acting capacities, while among adult actors such talents are the exception. He cited Minnie Terry’s role in Bootle’s Baby as an example.

Ernest Dowson as a MAP (Minor Attracted Person)?

Dowson's adoration of little girls was exclusive: it did not extend to post-pubescent females. The fact that girls grow up into adulthood frightened him, as he wrote to Charles Sayle on October 1, 1888 (New Letters, no. D1, pages 4–5):

There are, as you say, still books, dogs and little girls of seven years old in it but unhappily. One begins to yawn over the books and the dogs die and, oh Sayle, Sayle — the little girls grow up, and become those very objectionable animals, women.

That same exclusivity for girls before the “magical age 10” was expressed to Arthur Moore on June 30, 1889 (Letters, no. 53, page 88):

I think it possible for the feminine nature to be reasonably candid & simplex, up to the age of 8 or 9. Afterwards — phugh!

In 1889 Dowson made “experiments” of platonic love with two post-pubescent females (aged 13-19), first Lena, a barmaid, then Bertha van Raalte, the daughter of a tobacconist. But these relations did not last long; he was not really motivated, and tended to see children as superior beings. He had an ambiguous attitude towards women. On the one hand was sexually attracted to them, on the other hand he rejected them sentimentally. He confided his ideas to Arthur Moore on January 3, 1889 (Letters, no. 4, page 22):

Depend upon it there is something radically weak in a woman’s brain. One should only know them carnally — I doubt if one can know them otherwise.

[…] The biblical use of the word “know”—in reference to a woman is full of suggestion. […] What a charming world it would be if they did not exist — or rather if they never grew into their teens. And yet it is a folly to try & escape from them. […]

Or one might adopt a child & cease to trouble about them—only then she would grow up—(for of course it would be she—was there ever an unobjectionable small boy?—) & so one’s last state would be a million times worse than one’s first.

This contrast between his platonic worship of little girls and his cynical view of women probably reflects a deep-seated split in Victorian sexual mentality, between pure sentimental love on the one hand and sexual lust on the other. Many of his sexual encounters likely occurred with prostitutes or women met in bars, and his poetry / correspondence often associated women with debauchery.

In a letter to Arthur Moore dated October 16, 1889, a few weeks before meeting Adelaide (Letters, no. 68, page 108), he associates women with debauchery and alcohol:

Mercifully my little sample with Swanton of an exhibition in a purlieu of Leicester Square so absolutely sickened me with the feminine nudity that my debauchery hasn’t since extended beyond the bottle.

Then he contrasts these women with the innocent beauty of a little girl, whose prototype is Minnie Terry:

I’ve been kissing my hand aimlessly from the window to une petite demoiselle of my acquaintance — also par exemple a Minnie & presque aussi gentille as her prototype. This has temporarily revived me.

Envisaging his breakfast and his dissatisfaction with whiskey and “phiz,” he adds:

there is nothing in the universe supportable save the novels of Hy. James [Henry James], & the society of little girls.

Loving Adelaide

In November 1889, Downson entered a cheap Polish restaurant held by Joseph Foltinowicz, located at 19 Sherwood Street in Soho (London), at the back of the present Regent Palace Hotel. “I discovered it. It is cheap; the cuisine is fair; I am the whole clientele, and there is a little Polish demoiselle therein (Minnie at 5st 7 — not quite that) whom it is a pleasure to sit & look at.” (Letters, no. 73) The “little Polish demoiselle” was Adelaide, the proprietor’s daughter, aged eleven and a half years, whom he nicknamed “Missie” or “Missy”. He would soon fall in love with her and, quite unexpectedly, he would continue to love her as she grew into her teens (cf. the poem Growth). Although she rejected his marriage proposal and eventually married another man in 1897, his feelings for her did not abate.

Soon after Dowson met her, she became the centre of his life. Writing to Arthur Moore on February 16, 1890 (Letters, no. 89, pages 137–138), he presents her childhood as soothing the sufferings of his life:

Certainly the mere friendliness of a child has some such effect on me—seems to me at times to be not merely a set-off against one’s innumerable unliquidated claims against life but a quite final satisfaction of them—an absolute end in itself.

[…]

there is after all nothing so important as that one should be constantly trying to multiply these moments & to make them last.

On August 27, 1890 (Letters, no. 113, page 162), rejoicing after the return of Adelaide from a trip, he said to Moore about the novel they were writing together:

I will even go back to Rainham & Mary Masters & all the other uninteresting adults one is foolish enough to write about. Why the deuce does any one write anything but books about children! Quelle dommage that the world isn't composed entirely of little girls from 6–12.

Oscar Wilde and Downson

Dowson and Wilde were good friends and enjoyed each other's company. When Oscar Wilde, friend to non-exclusive pederast Andre Gide, and traveler to Capri, the Italian island once frequented by many famous gay/pederast writers such as Norman Douglas and Jacques d'Adelsward-Fersen - was jailed in 1895 for homosexual behavior - Dowson was one of the few of his friends who remained faithful to him. Upon his release in 1897, Wilde continued to cultivate his friendship with Dowson, whose poetry he loved. On June 15, 1897, Wilde wrote to Dowson (Letters, Introduction to Part V, page 377):

Why are you so persistently and perversely wonderful?

Then on June 28:

I write a little line . . . to tell you how charming you are . . . Tonight I am going to read your poems—your lovely lyrics—words with wings you write always. It is an exquisite gift, and fortunately rare in an age whose prose is more poetic than its poetry.

On February 18, 1898, Wilde wrote to their publisher and friend Leonard Smithers (Letters, Introduction to Part V, page 380):

I am so glad you are coming over alone. I don’t want to be bored with Mrs Dowson. Ernest is charming, but I would sooner be with you alone, or with him along with you.

From this, scholars Flower and Maas infer that Dowson had probably a regular mistress, whom Wilde disliked. Even so, upon hearing of Dowson's death, Wilde wrote to Smithers from Paris:

Poor wounded wonderful fellow that he was, a tragic reproduction of all tragic poetry, like a symbol, or a scene. I hope bay leaves will be laid on his tomb and rue and myrtle too for he knew what love was.

Legacy

The phrase "Gone with the wind", comes from his poem Non Sum Qualis eram Bonae Sub Regno Cynarae".

Dowson's gravestone was restored on August 2, 2010, on the 143rd anniversary of Dowson’s birth. The new gravestone includes a plaque which added a well-known poetry verse.