NewgonWiki is moving to a new domain (yet to be decided, but very soon). We will then create a public forum within 10-12 weeks. There is a slight possibility that will expire in early December and therefore not redirect to the new NewgonWiki domain. In that case, JohnHolt will post a notice on BoyChat and BoyLinks will carry the new URL.

Norman Douglas

From NewgonWiki
Jump to navigationJump to search

George Norman Douglas (8 December 1868 – 7 February 1952) was a British writer and historical pederast now best known for his 1917 novel South Wind. His travel books, such as Old Calabria (1915), were also appreciated for the quality of their writing.

While this article concerns his pederasty, Wikipedia have documented his literary achievements.

Unspeakable: A Life Beyond Sexual Morality

The book so named, by Rachel Hope Cleves documents Douglas sexual proclivities in great detail. The Percy Foundation, in its review of her book states:[1]

"A professor of history at the University of Victoria, Canada, Rachel Hope Cleves has spent several years researching the life of Norman Douglas (1868-1952), constructing a social history of modern pederasty when sexual encounters across generations were common and, to some extent, permitted.
An Austrian-born writer of Scottish ancestry, Douglas was widely considered British and lived through the end of the Victorian era and past the end of the Second World War. For the bulk of his life, Douglas was a celebrity. As Cleves explains: “He was friends with Joseph Conrad, D.H. Lawrence, Aldous Huxley, and countless other figures in the literary pantheon, all of whom knew about his sexual life. Everyone did. He was a central figure in literary circles all the same” (p. 1). He was adored by early feminist and women writers such as Nancy Cunard, Bryher (penname of Annie Winifred Ellerman), Elizabeth David, and Viva King. He even published on the natural world in the same periodicals as Charles Darwin, and later met and corresponded with Sigmund Freud.
For Cleves and for Douglas, “sex” / “sexual” means more than simply penetration or activity involving the genitals. Hugging, kissing, touching of any kind; poses and glances perceived as erotic; smell even, with Douglas waxing lyrical about armpit odor (p. 234), are all considered under the rubric “sex with children.”
Understood in this broad sense, it is less surprising when Cleves writes how “Douglas believed that sex did no harm to a child, but he utterly rejected physical brutality against children” (pp. 192-193). This was evidenced when, in 1895, Douglas went as far as to compile “a report condemning child labor in Lipari, which generated enough outrage among London buyers to pressure the mine owners to eliminate the practice” [...] “[O]ne evening,” we read, “she [Viva King] and Douglas got onto the subject of whether sex should be taught in schools. “Norman was asked his opinion as to whether ten years old was too young for such knowledge. ‘Nonsense,’ he replied, ‘children can’t learn early enough what fun it is.’” (p. 238). As Cleves explains, “Douglas refused to disavow children’s entitlement to sexualized pleasure” [...] To be sure, horror stories occurred. However, through Douglas’s life, Cleves shows that popular discourses / images of terrified, sexually innocent children are exclusionary and overly simplistic, casting the everyday experiences of many young people as unbelievable and hence “unspeakable.” As for Douglas, “he never fetishized pain or bloodshed in his writing. […] Douglas sought enthusiasm from his sexual encounters, not terror”. Radically individualist, Douglas rejected Victorian social mores from an early age and would live as a sexual radical / libertine throughout his life. He created epigrams to sum up his philosophy, including: “The business of life is to enjoy oneself; everything else is a mockery” (p. 189). For him, the business of life was both pleasure and the avoidance of pain.
[Douglas] returned to England with Archie and Robin, who preferred their father. Cleves explains that “At first, Douglas was willing to let Elsa see the children. In 1905 he sent Robin to visit her in Munich, where she had moved to start a new life. However, when she brought Robin back to Capri, she became convinced that Douglas was treating Archie “in an immoral way” (p. 70). Elsa accused him of molesting Archie, and Douglas was soon embroiled in legal trouble. Douglas had the boys live with friends in England, where Elsa had no rights over them. Ultimately, Douglas retained custody after winning the court case. [...] More generally with young people, Douglas participated in and tended towards activities that included and sought their enthusiastic assent – kissing and masturbation – as opposed to penetration or sadistic sex. Activities which the youths he engaged with were developed enough to participate in [...] Cleves’s contribution is to historicize intergenerational sex without denying or rationalizing away young people’s positive experiences / outcomes. She does this best in a recent journal issue of Historical Reflections dedicated to intergenerational history, with an open-access introduction and original article (2020). In that essay, Cleves focused on Eric Wolton, a London sex worker picked up by Douglas at the age of 12, whose parents granted permission for him to travel with Douglas for a walking tour of Italy. With Wolton recalling the experience positively, Cleves reproduces more fully than in her book a letter he sent to Douglas. As Cleves writes: “A decade after they first met, […] Wolton refused to disavow his childhood sexual relationship with Douglas, writing: "They were happy times […] I have no evil thoughts about them although I am different today than I was then. You were my tin god and even now you are. I do really love you […] I want you to understand Doug that you are more to me than ever you were. The difference is now that I am old enough to realise it.""
As an adult, Wolton pursued sexual encounters with women. He was ‘different’ than he had been as a boy, but he felt positively about his youthful sexual encounters with Douglas nonetheless” (p. 54). Cleves indicates that “neither the letters nor the actions of Douglas’s long-term child sexual partners indicate that they regarded their relationships with him through the framework of trauma”.